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Project :

Carved Over Time

Client :Luray Caverns

Year :2026

Contents :

01.1Website Overview

  • 01.1.1key visual

01.2Making of

  • 01.2.1sketching from reference
  • 01.2.2carving the block
  • 01.2.3inking the block

01.3website

  • 01.3.1interactive timeline, desktop

01.4print

  • 01.4.1finished woodcut print
  • 01.4.2small-space ad
  • 01.4.3national geographic insert

Services :[Campaigns][Design][Digital][Media][Strategy]

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Fig 01.1.1
Campaign key visual — a woodcut cave scene titled 'Carved Over Time', with era markers running from Ice Age down to You.

Using nearly 400 million years of geologic time to put our own time in perspective.

[01]Intel gathered

Luray Caverns’ spectacular visual beauty has naturally been at the heart of how the destination has been marketed. But we saw an opportunity to reveal something photography alone can’t capture: time.

As AI accelerates the pace of creation and life feels increasingly fast, there’s something powerful about a place still being shaped, drop by drop, over millions of years. By putting geological time against the scale of a human life, we could reveal just how extraordinary the caverns are, while reminding us that our time is worth filling with experiences like this.

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[02]The angle

“Carved Over Time” brings geological time down to human scale by pairing one meticulous process with another. Four woodcut artists hand-carved their interpretations of the caverns, creating the campaign’s imagery slowly, methodically and naturally, much like the formations themselves.

We then turned the formations into a true-to-scale timeline. As a stalactite grows, the Ice Age, Stone Age, civilizations and centuries pass alongside it, until the timeline reaches one final marker: You.

Suddenly, the time it took to create all that beauty makes our own feel remarkably precious.

[03]TL;DR

The campaign took months longer to make than it should. That was the point.

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Fig 01.2.1

Hands sketching a cave formation in pencil, black-and-white reference photos alongside.

Fig 01.2.2

Hands cutting into an inked woodblock with a carving tool.

Fig 01.2.3

A brayer rolling ink across the finished woodblock.

1/3

Fig 01.3.1
Screen recording of the Carved site, with a scrubber that moves through geologic eras.
Fig 01.4.1
The finished woodcut print — a cavern interior of stalactites, columns, and a still pool, rendered entirely in carved line.

[01]the fine print

Every mark in this campaign came from an actual hand holding an actual chisel. No CGI caves. No stock stalactites. Just wood, ink, and artists patient enough to match the thing they were carving.

That same hands-on quality carried into the interactive site built around the campaign. Visitors could scroll through the actual growth of a stalactite, drip by drip, with major moments in human history pegged to the exact point in that timeline — how long ago each one happened, and how big the stalactite actually was when it did. The same site held the artists' finished woodcuts, an explanation of the campaign itself, and a link through to Carved Over Time, the social series following the making of each individual piece.

A live gallery activation at the Luray Caverns Welcome Center brought it all into the physical world, with artists printing limited-edition merchandise on-site and the original woodblock prints on display for visitors to see in person.

Fig 01.4.2
Small brown ad in the woodcut style, 'Luray Caverns — What will you discover?'
Fig 01.4.3
National Geographic issue open to the Luray Caverns insert, 'Don't Let it Pass You By' beside the woodcut column.

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